A thing as worldly and secular as fashion seems to have little
connection to religion. However the intersection between religion and
fashion is visible everyday on the streets of Turkey. The majority of
young Turkish women who dress according to traditional Islamic notions of
female modesty do so in a way that is modern and fashionable. Women pin
beautifully patterned scarves tightly around their face and wrap the ends
around their neck or shoulders in a number of different trendy ways.
Blouses or layers of tops cover arms to at least below the elbow.
Long, swingy skirts or sometimes pants and tunics provide coverage to the
calves or below. Trendy and stylish shoes, often heals or wedges, are
very popular as are designer bags and statement accessories. The
entire outfit is color coordinated and often topped with a long, fitted trench
coat in a light color. In contrast, the mothers and grandmothers of women
now in their teens, twenties or thirties tie their scarves babushka-style under
their chins. Their scarves, long skirts and blouses or sweaters are
seemingly chosen at random, and colors and patterns often loudly clash.
Western notions of "matching" or creating an "outfit"
are largely foreign to these generations and clothing is chosen for its modesty
and comfort only.
The phenomenon fashionable covered woman has created a market for
elegant, trendy and beautiful modest clothing and scarves. Stores like
TekBir, Akar and Armine cater to the fashion conscious upper-middle
class covered woman. The latest trends in modest Muslim fashion as well
as health and beauty are covered by magazines like Hesna and Ala. These magazines have
features and stories similar to mainstream fashion magazines, but are conscious
of the needs and interests of the covered Muslim woman. Fashion spreads feature items from Islamic
fashion brands as well as pieces from mainstream brands that conform to
accepted notions of modesty. There is
also a heavy focus on accessories such as shoes and bags since these are not
subject to modesty restrictions. Though interest
in and the market for Islamically modest fashion is clearly growing, both Turkish-produced
and Turkish editions of international fashion magazines still direct their
fashion spreads and articles exclusively to secular women. None of the secular magazines I surveyed had
any photos of covered women, nor were their fashion spreads noticeably
different from those one would see in Western Europe or the US.
I talked with four covered women in their twenties regarding their
views of fashion and experience finding fashionable but appropriately modest
clothing. Unsurprisingly, the consensus
among the group was that it is completely possible to properly modest while
still wearing modern styles of clothing.
They described the difference between how they dress and think about
clothing and how their mothers or grandmothers do. They labeled the clothing choices of the
older generations “traditional” and in contrast described their modern
interpretation of Islamic modesty as “careful” or “conscious.” Three of the four were very positive about
the influence of fashion on Islamically modest women. One woman felt it was important to dress
fashionably because it has a positive effect on a woman’s self-esteem. More importantly, she feels that when covered
women dress in a beautiful and fashionable way, they make Islamic modesty an
attractive choice for other women. She
thinks that through their example they can influence other women to wear hijab. The one woman who had negative feelings about
fashion complained that it creates conformity in society and feels that it
discourages people from thinking for themselves. However, she agreed with her friend that
fashion can have a positive impact on how people perceive covered women and
encourage other women to adopt an Islamically modest lifestyle.
The women I interviewed are in school or just starting out their
careers and, like young people in the US and elsewhere, do not have much
income. Stores like Akar and TekBir as
well as the designer clothing in Islamic fashion magazines are generally out of
their price range. They acknowledged
that while it has become much easier for upper middle class Islamic women to
find fashionable and modest clothing, women like them still struggle to find
appropriate fashion choices. Their
outfits are pieced together from the bazaar shops and inexpensive chain stores
that secular and covered women alike shop at.
It is not uncommon for these young women to layer clothing in order to
wear fashionable pieces while simultaneously maintaining appropriate levels of
modesty.
The phenomenon of the Islamically modest but modern and
fashionable woman is clearly not a passing trend in Turkey. Young women from both traditionally pious
families as well as secular ones are adopting this style of dress as an outward
expression of their desire live in the modern world while maintaining their
Muslim faith. This modern but modest
lifestyle is clearly a matter of personal choice rather than a reaction to
family or patriarchal pressure. As is
the case with one of the women I interviewed, some young women choose to adopt
this mode of dress against the wishes of their family. My interviewees were all quick to emphasize
the difference between their interpretation of Islamic dress and that of older
generations. Their description of their
mothers’ dress as “traditional” implies that they dress in certain ways because
of societal pressure rather than personal choice. In contrast, the women I interviewed
described their way of dressing as “özenli” which roughly translates as
painstaking or careful. By implication,
the carefulness these women want to demonstrate in their Islamically inspired
dress is an outward reflection of the carefulness in which they feel they
practice their religion. In this way, through
the very worldly medium of fashion, a woman reflects her inner spiritual state.
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